How to Draw a Shark Step by Step

Drawing sharks used to intimidate me. All those sharp teeth, the streamlined body, the movement—it felt like a lot. But once I slowed down and approached it with loose, expressive lines and some simple observational steps, it became one of my favorite animals to sketch. If you're looking for a relaxed and fun way to learn how to draw a shark step by step, you're in the right place.

This guide is meant to help you draw a shark without worrying about perfection. You don't need fancy tools. You don’t need to be great at anatomy. You just need a pencil, some curiosity, and a willingness to make a few messy marks on paper. That’s how most of my sketchbook pages begin anyway. I’ve learned that when I stop trying to make a perfect drawing and just let the pencil move, I enjoy the process way more—and often end up liking the drawing better too.

Key Points Before You Start

  • Draw big shapes first. Focus on the overall body shape before you even think about teeth or fins. I always look at the silhouette of the shark first—what’s its gesture? Where’s the curve? This sets the tone for the whole sketch.
  • Embrace expressive lines. A shark drawn with movement and energy will feel more alive than a stiff, overly perfect one. Don’t worry if your lines are scratchy or uneven. That texture adds personality.
  • Start loose, refine slowly. You can always go darker or more detailed later. Keep your early lines light and playful. Think of them like scaffolding—you’ll build on them, not stay stuck in them.

How to Draw a Shark Step by Step: My Go-To Method

Before we start, just a quick note: this isn't about drawing a photorealistic shark. It's about capturing the feel and flow of a shark, especially if you're drawing in a sketchbook or just trying to build your confidence. If you're into expressive and observational drawing, this will fit right in with your style.

Step 1: Draw the overall body shape

I always start with a long, slightly curved oval or bean shape to represent the shark's body. Don’t stress if it’s not perfect—this is your foundation, not your final outline.

Sometimes I draw a loose line to suggest the motion of the shark’s spine, kind of like a gentle S-curve. Then I build the body around that. This step is all about getting the shark’s gesture and flow.

Step 2: Add the major fins

Sharks have that iconic dorsal fin on top—big and triangular. I add that next, along with the two pectoral fins near the front of the body, which angle downward like wings. Sketch these as simple, curved triangles first.

It helps me to imagine how the water moves around the shark—what direction are they swimming? That gives me a better sense of where to tilt the fins.

Step 3: Shape the tail and back fins

Draw the shark’s tail as a wide V shape. The top part is usually larger than the bottom. Add a small second dorsal fin near the tail and a couple of pelvic fins underneath. Again, don’t sweat the accuracy. We’re going for a vibe here.

When I’m not sure exactly where a fin goes, I place it intuitively, based on what feels balanced. Later I can look up reference photos if I want to refine the anatomy.

Step 4: Define the head and face

The head is one of the trickier parts, but it gets easier with practice. Use soft lines to shape the snout, then draw a simple eye near the front, a curved gill line behind it, and sketch in the iconic mouth shape—curved and slightly open if you want to show some teeth.

I like to treat the mouth like a little design challenge—how stylized or scary do I want it? Some days I keep it simple, just a curve. Other times I’ll go in and play with jagged shapes for teeth.

Step 5: Refine the outlines

Now that you have your shark sketched out, go back over your lines and darken the ones you like. Erase any construction lines or confusing overlaps. You can add some subtle texture with curved lines along the body and around the fins.

I like to keep my final drawing a little messy on purpose—it gives it character. If you’re into that too, you might enjoy reading about expressive drawing and how to build flow into your lines.

Add Movement and Energy

Sharks are constantly moving, even when they're still. I try to reflect that in my drawing by slightly curving the spine, exaggerating the sway of the tail, or offsetting the fin angles a bit. It’s subtle, but it adds life.

I also sometimes draw light motion lines or leave a few ghosted lines from earlier strokes. That little bit of roughness helps suggest movement in the water.

If you're feeling unsure about this kind of movement, I recommend checking out how to draw movement—it helped me a lot when I first started sketching animals.

Sketchbook Tip: Don’t Overthink It

Honestly, half my shark sketches start off as quick warmups. They live next to seaweed doodles and messy notes about ink smudging. If you're just here for a bit of fun or practice, lean into it. Let your shark be part of a loose spread.

Sometimes I draw the same shark three times in a row on the same page, slightly different each time. It takes the pressure off and often helps me find a version I like more. If you’re not sure what to draw next, I’ve got some drawing prompts for beginners and simple daily drawing prompts that have helped me fill many pages.

If you’re looking to draw more animals, I’ve got a whole section on how to draw animals that includes creatures like birds, elephants, wolves, and fish.

Tools and Paper: Use What You Have

Some of my favorite shark drawings were made with a basic pencil and cheap sketchbook paper. You don’t need fancy supplies to make something cool. I’ve drawn with ballpoint pens, mechanical pencils, even crayons when I couldn’t find anything else. It all works.

If you’re curious though, I’ve written about what an ebony pencil is and how to preserve a pencil drawing.

If you're working in a sketchbook and want to try mixed media later, you can gesso the paper for paint or ink overlays. But honestly, that’s bonus level. Just draw today.

Final Thoughts

Drawing a shark step by step is more about process than polish. It’s a great subject to explore movement, texture, and line quality. If you want to keep exploring, here are some places to dive in:

Stay curious, draw loose, and don’t worry about getting it right.

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